Drug Rehab Could Have Saved Beloved South African Singer

Brenda Fassie, the legendary South African popdid Bishop Desmond Tutu and other famous black
singer who sold millions of records across AfricaSouth Africans.
and around the world, died in a JohannesburgFive years before Fassie arrived, Soweto police
hospital on May 9, 2004 after spending 13 days inopened fire on 10,000 protesting students
a coma. The post-mortem said her final dose ofmarching peacefully from Naledi High School to
cocaine was the cause of death. She was only 39Orlando Stadium. In the events that unfolded, 566
years old. MaBrrr, as she was affectionatelypeople died. The impact of the Soweto Uprising,
nicknamed by her fans, had tried to resolve heras it became known, reverberated throughout the
severe addictions over the years at variouscountry and around the world. Soweto became
treatment centers - in fact, more than 30 times -the stage for violent state repression and the
but, unfortunately for MaBrrr and her millions ofroaring social and political oven in which Fassie
admirers, she never found a truly successful drugforged the direction of her music - by the
rehab program.mid-'90s, she was the unequivocal voice of black
Fassie, the youngest of nine kids, was namedoppression. But she had also formed a drug
after Brenda Lee, the American singer. Her pianistaddiction so strong that it managed to resist one
mother let her earn money by singing for touriststreatment program after another. Without access
in the streets. In 1981 at 16, Fassie left Capeto a real drug rehab, Fassie was unable to break
Town to seek her fortune as a singer inthe habit.
Johannesburg's Soweto district. Soweto, short forIn 2001 Time magazine dubbed Fassie "The
"South West Townships", had long been under theMadonna of the Townships" and indeed she was.
grinding heel of South Africa's white supremacistFassie managed to combine ground-breaking
apartheid policy. Poverty, drugs, alcohol,musical success with a personal accessibility and
prostitution, illness and crime were rampant, andhuman fallibility that drew a fierce loyalty and
drug rehab facilities as we know them todayprotectiveness from fans. Her career was
were virtually unknown. But there was art, therestudded with record sales and awards, but
was music, there were night clubs to sing in and apunctuated also by periodic scandals, recurring
vibrant culture was being created by Soweto'sbattles with drug addiction, and lows in her musical
people. Nelson Mandela lived there for years, ascareer that saw her written off by the press.