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Drug Rehab Could Have Saved Beloved South African Singer

Brenda Fassie, the legendary South Africanother  famous  black  South  Africans.
pop singer who sold millions of records
across Africa and around the world, died in aFive years before Fassie arrived, Soweto
Johannesburg hospital on May 9, 2004 afterpolice opened fire on 10,000 protesting
spending 13 days in a coma. The post-mortemstudents marching peacefully from Naledi High
said her final dose of cocaine was the causeSchool to Orlando Stadium. In the events that
of death. She was only 39 years old. MaBrrr,unfolded, 566 people died. The impact of the
as she was affectionately nicknamed by herSoweto Uprising, as it became known,
fans, had tried to resolve her severereverberated throughout the country and
addictions over the years at variousaround the world. Soweto became the stage for
treatment centers - in fact, more than 30violent state repression and the roaring
times - but, unfortunately for MaBrrr and hersocial and political oven in which Fassie
millions of admirers, she never found a trulyforged the direction of her music - by the
successful  drug  rehab  program.mid-'90s, she was the unequivocal voice of
black oppression. But she had also formed a
Fassie, the youngest of nine kids, was nameddrug addiction so strong that it managed to
after Brenda Lee, the American singer. Herresist one treatment program after another.
pianist mother let her earn money by singingWithout access to a real drug rehab, Fassie
for tourists in the streets. In 1981 at 16,was  unable  to  break  the  habit.
Fassie left Cape Town to seek her fortune as
a singer in Johannesburg's Soweto district.In 2001 Time magazine dubbed Fassie "The
Soweto, short for "South West Townships", hadMadonna of the Townships" and indeed she was.
long been under the grinding heel of SouthFassie managed to combine ground-breaking
Africa's white supremacist apartheid policy.musical success with a personal accessibility
Poverty, drugs, alcohol, prostitution,and human fallibility that drew a fierce
illness and crime were rampant, and drugloyalty and protectiveness from fans. Her
rehab facilities as we know them today werecareer was studded with record sales and
virtually unknown. But there was art, thereawards, but punctuated also by periodic
was music, there were night clubs to sing inscandals, recurring battles with drug
and a vibrant culture was being created byaddiction, and lows in her musical career
Soweto's people. Nelson Mandela lived therethat saw her written off by the press.
for years, as did Bishop Desmond Tutu and



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