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Drug Rehab Could Have Saved Beloved South African Singer

Brenda Fassie, the legendary SouthTutu and other famous black South
African pop singer who sold millions ofAfricans.
records across Africa and around theFive years before Fassie arrived, Soweto
world, died in a Johannesburg hospitalpolice opened fire on 10,000 protesting
on May 9, 2004 after spending 13 days instudents marching peacefully from Naledi
a coma. The post-mortem said her finalHigh School to Orlando Stadium. In the
dose of cocaine was the cause of death.events that unfolded, 566 people died.
She was only 39 years old. MaBrrr, asThe impact of the Soweto Uprising, as it
she was affectionately nicknamed by herbecame known, reverberated throughout
fans, had tried to resolve her severethe country and around the world. Soweto
addictions over the years at variousbecame the stage for violent state
treatment centers - in fact, more thanrepression and the roaring social and
30 times - but, unfortunately for MaBrrrpolitical oven in which Fassie forged
and her millions of admirers, she neverthe direction of her music - by the
found a truly successful drug rehabmid-'90s, she was the unequivocal voice
program.of black oppression. But she had also
Fassie, the youngest of nine kids, wasformed a drug addiction so strong that
named after Brenda Lee, the Americanit managed to resist one treatment
singer. Her pianist mother let her earnprogram after another. Without access to
money by singing for tourists in thea real drug rehab, Fassie was unable to
streets. In 1981 at 16, Fassie left Capebreak the habit.
Town to seek her fortune as a singer inIn 2001 Time magazine dubbed Fassie "The
Johannesburg's Soweto district. Soweto,Madonna of the Townships" and indeed she
short for "South West Townships", hadwas. Fassie managed to combine
long been under the grinding heel ofground-breaking musical success with a
South Africa's white supremacistpersonal accessibility and human
apartheid policy. Poverty, drugs,fallibility that drew a fierce loyalty
alcohol, prostitution, illness and crimeand protectiveness from fans. Her career
were rampant, and drug rehab facilitieswas studded with record sales and
as we know them today were virtuallyawards, but punctuated also by periodic
unknown. But there was art, there wasscandals, recurring battles with drug
music, there were night clubs to sing inaddiction, and lows in her musical
and a vibrant culture was being createdcareer that saw her written off by the
by Soweto's people. Nelson Mandela livedpress.
there for years, as did Bishop Desmond



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